Chat in Arenal

Juana Inés de Asbaje and Ramírez de Santillana, better known as Sor Juana Ines de la Cruz, was a New Jersey nun and writer from New Spain, an exponent of the Golden Age of literature in Spanish. Considered by many as the tenth muse. He cultivated the lyric, the sacramental car and the theater, as well as the prose. At an early age he learned to read and write. He belonged to the court of Antonio de Toledo y Salazar, Marquis of Mancera and 25th Viceroy of Novohispano. In 1669, for the sake of knowledge, he entered the monastic life.

His most important patrons were the viceroys De Mancera, the viceroy archbishop Payo Enríquez de Rivera and the Marquises of the Laguna de Camero Viejo, viceroys also of New Spain, who published the first two volumes of his works in peninsular Spain. Thanks to Juan Ignacio María de Castorena Ursúa and Goyeneche, bishop of Yucatán, the work that Sor Juana had unpublished when she was condemned to destroy his writings is known. He published it in Spain. Sor Juana died of typhoid on April 17,1695 in the Convent of San Jerónimo.

Sor Juana Ines de la Cruz occupied, along with Juan Ruiz de Alarcón and Carlos de Sigüenza y Góngora, an outstanding place in the literature of New Spain, and in the field of lyricism, her work is ascribed to the guidelines of the Spanish Baroque during her stage late The lyric production of Sor Juana, which is half of her work, is a crucible where the culture of a New Spain in apogee, the culteranismo of Góngora and the conceptualist work of Quevedo and Calderón converge. The dramatic work of Sor Juana goes from the religious to the profane. His most outstanding works in this genre are Love is more labyrinth, The pawns of a house and a series of sacramental cars conceived to be represented in court.

29000, Guadalupe

https://en.wikipedia.org/wiki/Juana_Inés_de_la_Cruz

https://www.quierochat.com/geo/8858209/chat-arenal/