Chat in Andrews AFB

Concerts for piano and orchestra by Wolfgang Amadus Mozart are a set of twenty-seven works of this genre written by the Austrian composer between 1767 and 1791. The structure of these concerts is written in three movements following the classical scheme: a first rapid movement, a second slow movement and a third rapid movement In terms of form, the first movements are always composed in tripartite bitematic form or sonata form, the second movement in abbreviated sonata form, while the third is usually a rondo. Concerts are written in major tonalities, except two: number 20, in D minor, and number 24, C minor.

The concerts present their second movements in the key of the dominant, with the exception of seven: two written in minor mode, in which the second time is in the key of the VI, and five other concerts, whose second movements are written in the relative minor of the main key: No.4, No.9, No.10, No.22 and No.23. In his piano concertos, Mozart exhibits enormous technical skill and complete mastery of the resources offered by the orchestra, creating a wide range of affections and emotions, their concerts have, in general, an improvisational and virtuosic character, especially in the first movements, which exploit all the technical possibilities of the piano of the time. Mozart's piano concertos are considered to be the pinnacle of the classical concert and are the most influential for the later period. Three of his piano concertos are among the most recorded and known from the classical repertoire. The first complete edition of the concerts was that of Richault from around 1850. Since then the scores and autographs have been made available through the publications of, among others, W. W.

Norton, Eulenberg and Dover Publications.

20001, Washington
20002, Washington
20003, Washington

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